There are only so many times you can open up a track with timpani hits and a low brass flare and the patterns he uses for his secondary melodies could use a touch more variation at times. This is particularly true of Inon, and I’d be remiss to leave out that it is sometimes to his detriment.
They’ve established themselves in the industry, and by that I mean that they both have fully developed identities they can market themselves using their music alone, and many recognise it instantly. Both are very stylistically predictable musicians that are very competent at creating entire musical landscapes far more coherent and interesting than those of many other composers. I think it’s safe to say at this point that Inon Zur is to Dragon Age what Jeremy Soule is to The Elder Scrolls.
0 kommentar(er)
